The Tell Tale Heart by Edgar Allan Poe Essay Example for Free

The Tell Tale Heart by Edgar Allan Poe Essay There is an obscure symbolistic link between the old man and Poes adoptive father in real life, John Allan, and between the narrator in the story and Poe. There are several similarities between the old man and Allan. Both men had blue eyes. Much like the old man had never wronged the narrator, Allan had never wronged Poe. Similarities abound between Poe and the narrator, as well. Neither had a wish for riches and they both behaved affectionately to their counterparts face even though they despised him behind his back. The story was an outlet for Poes pent-up aggression toward his adoptive father. There is another symbolistic link involving the Evil Eye. Poe sees himself in the old man, and the evil eye represents an Evil. The murdered man is sacrificed to a self-constituted deity. The self-destruction theme is furthered significantly, as the author himself is murdered (symbolically) as well. After the narrator kills the old man and dismembers the corpse, he plots to hide the body under the floor. At some moment, judging by the context of the story, at three oclock, the narrator rips up three planks from the flooring of the chamber. The three planks may represent the Roman numeral III. The composition of The Tell Tale Heart was doubtlessly influenced by a severe heart attack. The heart attack happened in the summer of1842. The implications of Poes obsession with the heart after a near death experience are vitally important to understanding the story and the symbolic meaning behind it. A heart attack and a brush with death would give very good reason for Poe to choose heartbeats to express the deep and buried obsessions with which he deals. The heart, which to him embodies what is wrong with him and his life, symbolises in the story that which is wrong with the narrator, that is the lack of the coherence of the implication of logic, reason and morals. There are many motifs (objects, ideas, kinds of characters, settings, etc.) that repeat or recur throughout his stories and poems. One of his most common motifs is the EYE. Sometimes referred to as an orb, the Eye has log been considered a window to the soul. Particularly notice the use of the EYE motif in The Tell Tale Heart, The Black Cat, and Hopfrog. Another frequently repeated motif in Poe is the HEART. The HEART is important as both the physical pump of the body and as the centre of all feelings and experience. Considered a Romantic, (the capital R denoting a literary movement and time period) Poe places far greater emphasis on the HEART (representing emotion and experience) than on the head (representing intellect, rational thought and scientific reasoning.) In a sense, the HEART is the wellspring for all of Poes tales and poems. He often has an UN-NAMED NARRATOR telling the stories for him. However, each narrator is different, distinct from any other. The reader is not meant to see the narrator as Poe himself but rather as a separate character or persona. Some of Poes narrators are sane, some are clearly not; and some, well, Poe reminds us quite often what a FINE LINE separates SANITY FROM INSANITY! Poe frequently uses a PREMATURE BURIAL motif and also a motif of SUFFOCATION. These two concepts are sometimes linked, as a kind of Life-in-Death theme. LIKE IN The Tell Tale Heart, The Cask of Amontillado, The Fall of The House of Usher, and other tales. Tension plays a major role in this play For a whole hour I did not move a muscle, and in the meantime I did not hear him lie down. There is an hour-long wait with the tension of whos going to break first. Also there is the ever-growing sound of the heartbeat It grew louder, I say, louder every moment. There is also the entrance of the police and wondering whether or not he will be caught. The belief in the EVIL EYE dates back to ancient times and even today, is fairly common in India and the countries bordering the Mediterranean Sea. References are made to it in the Jewish, Islamic, Buddhist and Hindu faiths. The belief centres around the idea that those who possess the EVIL EYE have the power to harm people or their possessions merely by looking at them. Wherever this belief exists, it is common to assign the EVIL EYE as the cause of unexplainable illness and misfortunes of any kind. To protect oneself from the power of the eye, certain measures can be taken. In Muslim areas, the colour blue is painted on the shutters of the houses, and found on beads worn by both children and animals. In extreme cases, the eye, whether voluntarily or not, must be destroyed. It is altogether possible that Poe would have had knowledge of that rather strange belief, which creates another interesting twist to the story. Maybe the narrator, who tries to convince us that madness is not really the issue, is telling the truth. Maybe this vile act is necessary in order to destroy the power of the old mans EVIL EYE! Atmosphere plays a big part in any classic horror story in order to paint a vivid picture to keep the reader interested. In The Tell Tale Heart there are many examples that create a menacing atmosphere. The fact that the narrator says that he arrives about midnight, Midnight being known as the witching hour, this creates a feeling or horror. Also it is black as pitch with the thick darkness. The reason people are afraid of the dark is the fear of the unknown. You cant feeling scared that if the old man wakes you know that he will be killed. With noises like hinges creaking you are just waiting for the man to wake up which also creates tension. There is also death-watchers in the wall. Another key factor for any horror story is Unpleasant Detail. It makes people repulse and creates a motion. In The Tell Tale Heart it is the description of the old mans eye One of his eyes resembled that of a vulture- a pale blue eye, with a film over it. Also the murdering and dismembering of the old mans body I dragged him to the floor and pulled the heavy bed over him First of all I dismembered the corpse. I cut off the head and the arms and the legs. It is ironic that the narrator, who is from the beginning of the story considering himself to be the model of patience, seems to be bothered by the notion of time and the irrevocable direction that it takes. The narrator hears the heartbeats as irreversible time: a watch enveloped in cotton. In the beginning the narrator thinks that the organ of sight, the Evil Eye, is so vexing; but in the end, a sound, the beating of the old mans heart, is what condemns the madman. While he was guarding against one danger he was being overcome by another- Irony. It is the narrators conscience that leads him to confess. It is neither the police nor a witness that dooms the narrator; it is the narrator himself who instigates his own demise. How ironic, and terrifying, it is that a madman who has no need for reason finds it impossible to carry on without justice. You would normally associate a disease or illness as a negative but the narrator tells us that the disease has benefited him this is ironic The disease has sharpened my senses- not destroyed- not dulled them. The disease in this case is obviously a severe case of emotions, and as such he must confess the repulsive murder of an unarmed old man. (For the shutters were close fastened, through fear of robbers). This is ironic for the purpose of the shutters is to keep robbers out. Madness creates unpredictability. The Tell Tale Heart consists of a monologue in which the murderer of an old man protests his sanity rather than his guilt: You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded By the narrator insisting so emphatically that he is sane, the reader is assured that he is indeed deranged. By using this irony the narrator creates a feeling of hysteria, and the turmoil resulting from this hysteria is what makes The Tell Tale Heart a classic horror story. The murder of the old man is motiveless, and unconnected with passion or profit. But in a deeper sense, the murder does have a purpose: to ensure the narrator does not have to endure the haunting of the Evil Eye any longer. I loved the old man For his gold I had no desire. I think it was his eye! Yes, it was this! To a madman, this is as good of a reason as any: in the mind of a madman, reason does not always win out over emotion. Modern vs. Classic Modern films have great effects unheard of hundreds of years ago, intense stories and bad guys you just love to hate. Classic horror cant be beat for atmosphere and mythic storylines, along with monsters that reflect much of the human condition. I think classic horror runs into problems today because watching videos has become a social thing- a lot of noise, talking and other distractions allows you to pick up the action and general appeal modern horror has to offer but not the atmosphere and plot of classic horror. The heroes/heroines are usually fairly good-looking teenagers giving appeal to their generation. In teen horror they usually make sequels depending on how successful the first one was. With the Scream Trilogy and the two I Know What You Did Last Summer films the killer involves a masked man/men going on a killing spree yet failing to kill the main character. There is also the suspense of guessing who the killer is. The film usually gives you several suspects to keep you guessing. Where as with The Tell Tale Heart you already know who the killer is but there is the suspense of when he is actually going to kill him. Unlike with modern horror there is only really one character in the whole story. The classic films of the thirties and forties had interesting plots, good art direction and were well acted. The monsters in the films were normally not evil, but victims of circumstance. The creature was an animal defending his territory, the monster of Frankenstein was a child in the body of a behemoth abandoned by his creator, the Phantom and Quasimodo were deformed freaks shunned by society despite having souls filled with beauty, the Mummy was sentenced to eternal life because he used the forbidden Scroll of Thoth to bring his lover back to life and the Wolf Man was the ultimate victim knowing his condition and unable to do a thing about it despite his best efforts. Only Dracula seemed to follow the path of evil on his own volition. There was also a lot of good in these monsters, and many children could identify with them being misunderstood and not really bad. Many kids accepted the classic monsters as friends, and this ignited the monster craze of the sixties. The films are timeless, and many do not seem all that dated even by todays standards. Modern horror, on the other hand, revels in being brutal, graphic and evil. Monsters like Freddie Krueger, Leatherface, Pinhead, Michael Myers, Hannibal Lector and Jason are evil and rotten to the core. These seemingly unstoppable madmen wont rest until everyone in their way is dead, in the most creative and imaginative ways. These films generally revolve around the battle of good versus evil- good usually wins in the end, but at a high cost and the survivors normally are annihilated in the sequel, proving that evil only has to win once.

What Role Should The Government Play in Gun Control? Essay -- Second Am

What Role Should The Government Play in Gun Control? A well regulated Militia, being necessary to the security of a free State, the right of the people to keep and bear Arms, shall not be infringed.   Ã‚  Ã‚  Ã‚  Ã‚  Gun control is a real issue with Americans today. Many people have different opinions about how to handle our growing dilemma concerning guns. There are those who believe we should ban guns altogether and those who believe we should not ban or restrict the people's right to own guns at all. Both sides have valid arguments, but neither side seems to know how to compromise because of their very different opinions. I personally believe guns should be banned. However, those against gun control have very good arguments.   Ã‚  Ã‚  Ã‚  Ã‚  The Second Amendment was written because of the colonists' fear of an all-powerful central government taking over, but there are many interpretations of how the Second Amendment reads. The court has never found the Second Amendment to clash with the Fourteenth Amendment's Due Process clause which states that, "No state shall...deprive any person of life, liberty, or property, without due process of law" (McClenaghan 522). This gave each state the right to set up their own rules and regulations, which I believe, is one reason why we have the problems that we do.   Ã‚  Ã‚  Ã‚  Ã‚  There have been four major cases heard by the Supreme Court which found that the fire-arm control laws are constitutional; United States v. Cruikshank (1986), Presser v. Illinois (1886), Miller v. Texas (1894), and the United States v. Miller (1939) (Strahinich 41). United States v. Miller was the most important. It supported a section of the National Firearms Act of 1934, basically stating that it is a crime to ship sawed off shotguns, machine guns, or silencers across state lines unless registered with the Treasury Department (McClenaghan 522).   Ã‚  Ã‚  Ã‚  Ã‚  The United States already has more than twenty thousand gun laws, but they do not seem to be making an impact. The first American gun control laws were written before the Revolutionary War. The most effective and more recent laws have been the Gun Control Act of 1986 and the Brady Law. The Gun Control Act of 1986 has a lot of impact on our rights concerning firearms today. It requires federal licensing and inspection of dealers with new and stricter guidelines. It restricted the sale of ammunition and firearms betwe... ...on of law enforcement officials and military. We might not be able to stop all of this gun violence but at least we can close loopholes that control the sale and distribution of guns in America. Next to automobiles, guns are the second most deadly consumer product on the market. There are over two hundred million guns in circulation today, compared to the mere fifty four million in 1950 (Roleff 142). Works Cited Dolan, Edward, Margaret Scariano. Guns in the United States. New York, New York: Moffa Press, Incorporated, 1994. pp.. 29-30, 55. Lott, J.R. More Guns Less Crime. Chicago, Illinois: University of Chicago Press,   Ã‚  Ã‚  Ã‚  Ã‚  1998. pp.. 1-2. McClenaghan, William. American Government. Needham, Massachusetts:   Ã‚  Ã‚  Ã‚  Ã‚  Prentice Hall, 1993. pp.. 489, 522. Netzley, P.D. Issues in Crime. Sandiego, California: Lucent Books Inc., 2000. pp.. 32 Roleff, T.L. ed. Gun Control, Opposing Viewpoints. Sandiego, California:   Ã‚  Ã‚  Ã‚  Ã‚  Greenhaven Press Inc., 1997. pp.. 22-23, 25, 45, 47, 65-67, 76, 85, 117, 142. Strahinich, Helen. Guns in America. United States: Walker Publishing Company,   Ã‚  Ã‚  Ã‚  Ã‚  1992. pp.. 41, 48, 51. http://www.alphadogweb.com/firearms/gun_control_is_a_nice_phrase.htm

Market Entry Timing Strategy Essay

Empirical study (Robinson and Fornell, 1985) shows that first mover 20%, early followers 17%, and late entrants 13% market share. Robinson (1988) believes that the order of entry alone explain 8.9% of the variation in market shares. It has been shown that the longer the elapsed time between entry of the first mover and that of later entrants, the more opportunities becomes available to the first mover to achieve cost and differentiation advantages. A longer response time provides the first mover to promote awareness and trial that contribute to category learning and for consumers to integrate into their memory additional information through media and WoM. Lieberman and Montgomery (1988) believe that first-mover advantages arise from three primary sources: Technological leadership, pre-emption of assets, and buyer switching costs. Technological leadership provides a learning curve, where unit production fall with cumulative output, which generates a sustainable cost advantage for the early entrant if learning can be kept proprietary and the firm can maintain leadership in market share. If the first-mover has superior information, it may be able to purchase assets at market prices below those that will prevail later in the evolution of the market, such as natural resources and retailing or manufacturing locations. Where there is room for only a limited number of profitable firms, the first-mover can often select the most attractive niches and may be able to take strategic actions that limit the amount of space available for subsequent entrants. With switching costs, late entrants must invest extra resources to attract customers away from the first-mover firm. Buyer may rationally stick with the first brand they encounter that performs the job satisfactorily. Brand loyalty of this sort may be particularly strong for low-cost convenience goods. Thus, late entrants must have a truly superior product, or else advertise more frequently or more creatively. Schnaars (1986) implies that the early bird normally catches and retains the worm. ‘Me-too’ products introduced by later entrants were much more likely to fail. Second entrants obtain on the average only about three-quarters of the market share of the pioneer, and later entrants are able to capture progressively smaller shares. Consumers tend to know and favour the pioneering product, they have no reason to experiment with subsequent entries. These cost advantages put later entrants at a competitive disadvantage, and pioneers may be able to erect entry barriers that lock out subsequent entrants. Late entrants can also find that the field is crowded and the market offers little opportunity. However, a well-conceived ‘second-but-better’ entry, backed by aggressive advertising, may be able to surpass the pioneer’s entry. Later entrants must be better in terms of performance or price, or both, if they are to have any chance of success. Many firms with str ong market orientation seem to embrace later entry. No one entry strategy proved best in all situations. Primary benefit for the pioneer is to build an unassailable position before later entrants recognize the promise of the market or are willing to take the risks of an early entry. It is most appropriate when image and reputation are important to the customer, experience effects are important and not easily copied, brand loyalty accrues to the pioneer, and cost advantages can be obtained by early commitment to suppliers and channels. It carriers many risks, because almost every aspect of an emerging market is unknown. Many pioneers end up pursuing false leads that later entrants are able to avoid. Thus it must be willing to commit a great deal of money – for R&D and educate customers’. The chances of a pioneer getting the product right for the first time are almost nil. One study found that it takes seven to eight years on the average before a firm that enters a new line of business actually turns a profit. Golder and Tellis (1993) state that for pioneers, consumer-based advantage relate to the benefits that can be delivered from the way consumers first choose and then repurchase the product. The pioneer may become the standard for the product category, and a pioneer can lock-in some customers in categories that have high switching costs. Seventy percent of market leaders are pioneers, and almost half of all pioneers are market leaders. Second firm to enter the market would obtain only 71% as much market share as the pioneer, and third firm to enter would obtain only 58% as much. On the other hand, they believe that if later entrants can leapfrog pioneers with superior technology, positioning, or brand names, firms could better off entering late. Evidence shows that the advantages of being first-in are almost equally balanced by the many pitfalls and disadvantages. Kerin, Vradarajan, and Peterson (1992) state that one can achieve first-mover status by producing a new product, use a new process, and/or enter a new market. They distinguish between two perspectives: the economic-analytical and the behavioural. The former indicates that the pioneer creates barriers to entry so it becomes costly for others to follow, this in turn lengthens the lead time, thus enabling the first mover to benefit initially from no competition, and being more experienced once new entrants emerge. From the behavioural view, the first mover communication is more effective and it obtains reputational advantage. Through purchase and trial, customers can become more reluctant to switch. Similarly, there are economic and behavioural views on market contingencies. From the former perspective, the uncertainty of product demands can lower resource commitments and reduce cost advantage due to scale, but small scale operations are more efficient. A first mover can influence how attributes are valued, define the ideal attribute combination, and ultimately influence consumer’s preferences to its benefit over later entrants. The industry relies heavily on advertising and marketing, thus early consumer exposures to advertising is even more beneficial. The technology changes quickly, so the legal protection and experience advantage decreases. From the behavioural perspective, products can be easily evaluated before purchase, so the purchase and trial benefits decrease. The cost of evaluating a product and making a purchase mistake is lower, hence switching costs decreases. But when consumers need to invest in special, related assets, the switching costs increase. However, following firms may benefit from the ability to free-ride on first-mover investments, resolution of technological and market uncertainty, technological discontinuities that provide ‘gate-ways’ for new entry, and various types of incumbent inertia. They can achieve a CA by influencing consumers’ preferences rather than responding to them, such by moving away from the pioneer and develop a more desirable position. Early entrants’ main benefit is to learn from the pioneer’s experience, and avoid many of the onerous costs, along with being able to assess the market’s reaction to the pioneer’s entry. Many early entrants have relied on some combination of marketing clout, product enhancement and low-cost production. Later entries can benefit from the passage of time. If the product form is changing rapidly and standardization has not been achieved, the later entrant may be able to leapfrog earlier entrants by introducing a superior product, backed by market clout. The later entrant can gain a sizable share of proven growth marketing by capitalizing on the low-cost production of me-too products. Many foreign companies pursue this strategy. Late entrant is risky when earlier entrants are able to erect entry barriers, or the market is already flooded with products that leave no room for enhancement. Level Brother’s Persil entered the tablet detergent market as a pioneer, whereby P&G’s Ariel entered as a follower. The former achieved satisfying customers that stuck to the brand, despite low switching costs. It built a brand image that indicated it was the best, it was innovative and technological advanced. It increased customer choice, which could lead to increased satisfaction and loyalty. Persil soon enjoyed large or monopoly market-share in the category, and had potentially highest share after followers enter. Moreover, entering early allowed it to learn from experiences, with more time for trial and error. By entering first, it could create barriers for entry in the retail through shelf-space, and have patent on technology. Persil also set rules for competition on features, benefits and added services. It could also set the price value based or cost based, thus deciding the market. Ariel, on the hand, had the opportunity to assess the market profitability upon entrance, and needed less knowledge to educate the market. It could learn from Persil’s mistakes in terms of pricing, and had less risk to brand equity. Ariel also enjoyed lower R&D costs and could free-ride on Persil’s effort, in addition to develop a better product. The saved time can be used for optimal positioning. The two competitors were competing heavily on the price per wash, higher and lowering accordingly to each other, starting at 22.0p and 28.0p respectively in 1999, both finishing at 20.0p in 2004, but Ariel did better in the end through learning. In conclusion, one can say that faster entry into the industry does not necessary guarantee absolute competitive advantage. The magnitude of first-mover advantage depends on the degree of fit between the environmental opportunity and the first-mover’s skills and resources. Market pioneering is not a strategy that is appropriate for all firms. In organizational reality, firms are more often a later entrant than a pioneer.

War in Iraq There Was Another Option Essay example

War in Iraq: There Was Another Option 1. As our brave men and women in uniform find themselves embroiled again in a conflict in the Middle East, debate surrounding the timeliness and necessity of this second Gulf conflict has ceased in most professional circles. However, before the current conflict began, controversy raged over when and how to best prosecute this situation. Many argued that the United States should have worked through the United Nations to pursue a resolution that had the consensus of the world behind it. That endeavor, however, was doomed to failure from the start. The United States sought to solve this dilemma using military force. France and Germany desired to diffuse it using anything but force. In order to†¦show more content†¦However, what is the likelihood the Saddam Hussein would have used them on the United States or even our allies in the region? Recent history demonstrates that it was not very likely. Up until the first Gulf War, Iraq was an ally, in some sense of the word, of the Un ited States. The US government supported Saddam Hussein in his battle with Iran because we opposed the Shia fundamentalists in Tehran. We gave Hussein, through American contractors, many of the chemical agents we sought to disarm him of. In fact, Donald Rumsfeld, now Secretary of Defense, arranged some of the deals himself (Mearsheimer 47). American relations with Iraq were cordial until Saddam Hussein initiated an attack against his neighbors in Kuwait in 1991. Many war supporters used this as evidence that Hussein acts irrationally and without contemplating the consequences of his actions. However, this assertion is absurd given the facts surrounding the first Gulf War. 4. Before invading Kuwait, Iraq essentially asked US Ambassador April Glaspie if the United States had any opposition to Iraqs taking action against Kuwait. She responded with the now famous line â€Å"We have no opinion on the Arab-Arab conflicts or your border disagreement with Kuwait† (47). The State Department had earlier told Saddam that Washington had â€Å"no special defense or security commitments to Kuwait† (47). Saddam Hussein, not wanting to anger his ally, asked ourShow MoreRelatedEssay about Assessment of the War in Iraq1621 Words   |  7 PagesSaddam Hussein was indeed a ruthless dictator who violated human rights and caused conflicts in the Middle East. Despite this, his threat to the world community was largely overstated by the US in its justifications for going to war. His reputation as crazy and unpredictable was countered in his psychological assessment, which clearly shows his motivations and identifies the amount of foresight in every decision h e makes. Basically, his main motivation was to stay in power and he did everything heRead MoreThe Containment Policy Established By George W. 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